AVIGNON 76. A Festival of New Works by Philippa Wehle

Almodóvar’s Women on the Verge in Portugal by Duncan Wheeler

BRACK IMPERie. About “Hedda Gabler” by Vinge/Müller at Norske Teatret Oslo by Thomas Oberender

Embodied Intimacy: The Immersive Performance of The Smile Off Your Face at Edinburgh by Julia Storch

Fear, Love, and Despair – Radu Afrim: Director of Core Feelings by Alina Epîngeac

Grec Festival de Barcelona, July 22 by Anton Pujol

I Think of Curatorial Work in Scholarly Terms: An Interview with Ivan Medenica by Ognjen Obradović

Interview with the Turkish theatre critic Handan Salta on TheatreIST by Verity Healey

New Worlds Revealed in an Immigrant Journey, and an Unexpectedly Meaningful Universe Discovered and Destroyed Inside Styrofoam, at the Edinburgh Festival by Mark Dean

Participation, Documentary and Adaptation: Barcelona Theatre May 2022 by Maria Delgado

Report from Berlin, April 2022 by Marvin Carlson

Report from Berlin (and Hamburg….) 5/2022 by Philip Wiles

The Sibiu International Theatre Festival Transforms Dreams into Reality (The Magic of 2022 FITS in Short Superlative) by Ionica Pascanu

Theatre in Denmark and The Faroe Islands – Spring and Fall 2022 by Steve Earnest

The Polish Nation in a Never-Landing Aircraft by Katarzyna Biela

The Piatra-Neamt Theatre Festival in Romania: 146 Kilometers from Heart to Heart by Cristina Modreanu

Will’s Way at the Shakespeare International Festival Craiova 2022 by Alina Epîngeac