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Volume 13, Spring 2019

Attribution-NonCommercial-ShareAlike 4.0 International

This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Introductory Note

Kalina Stefanova

“Andrzej Tadeusz Wirth (1927 – 2019) – White on White”

Krystyna Illakowicz

A Lithuanian Marriage in Warsaw or The Last Production of the Great Eimuntas Nekrošius

Artur Duda

“My, Żydzi polscy [We, Polish Jews]”: A Review of Notes from Exile

Dominika Laster

A Report on the State of Our Society, According to Jiří Havelk in The Fellowship of Owners at VOSTO5, Prague, and Elites, at the Slovak National Theater, Bratislava

Jitka Šotkovská

About Life as Something We Borrow. On the Stages of Pilsen (In the 26th edition of the International Theatre Festival There)

Kalina Stefanova

Redesigning Multiculturalism or Japanese Encounters in Sibiu, Romani, The Scarlet Princess, written and directed by Silviu Purcărete, inspired by Tsuruya Namboku IV’s Sakura Hime Azuma Bunshô

Ion M. Tomuș

About Globalization: A “Venice Merchant” on Wall Street, at the Hungarian Theatre of Cluj in Romania

Maria Zărnescu

The Patriots, Mary Stuart and Ivanov and the Rise of the Drama Ensemble of the National Theatre in Belgrade

Ksenija Radulović

The Unseen Theatre Company or How to See Beyond the Visible: The Shadow of My Soul and the Theatre of Velimir Velev

Gergana Traikova

Multilingual Pirandello, Understandable to Everyone: The Mountain Giants at the Croatian National Theatre “Ivan pl. Zajc”, Rijeka

Kim Cuculić

The return of the repressed: the ghosts of the past haunt Barcelona’s stages

Maria M. Delgado

A poetics of memory on the Madrid stage (2018)

Maria M. Delgado

The Danish National Theatre System and the Danish National School of Performing Arts: December in Copenhagen 2018.

Steve Earnest

Towards a Theatre of Monodrama in Turkey 

Eylem Ejder

Where Is Truth? Justiz by Friedrich Dürrenmatt, adapted and directed by Frank Castorf at the Schauspielhaus Zürich

Katrin Hilbe

Report from Vienna

Marvin Carlson

European Stages is a publication of the Martin E. Segal Theatre Center ©2016

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