Volume 17, Fall, 2022
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AVIGNON 76. A Festival of New Works by Philippa Wehle
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Almodóvar’s Women on the Verge in Portugal by Duncan Wheeler
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BRACK IMPERie. About “Hedda Gabler” by Vinge/Müller at Norske Teatret Oslo by Thomas Oberender
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Embodied Intimacy: The Immersive Performance of The Smile Off Your Face at Edinburgh by Julia Storch
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Fear, Love, and Despair – Radu Afrim: Director of Core Feelings by Alina Epîngeac
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Grec Festival de Barcelona, July 22 by Anton Pujol
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I Think of Curatorial Work in Scholarly Terms: An Interview with Ivan Medenica by Ognjen Obradović
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Interview with the Turkish theatre critic Handan Salta on TheatreIST by Verity Healey
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Report from Berlin, April 2022 by Marvin Carlson
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Report from Berlin (and Hamburg….) 5/2022 by Philip Wiles
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The Sibiu International Theatre Festival Transforms Dreams into Reality (The Magic of 2022 FITS in Short Superlative) by Ionica Pascanu
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Theatre in Denmark and The Faroe Islands – Spring and Fall 2022 by Steve Earnest
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The Polish Nation in a Never-Landing Aircraft by Katarzyna Biela
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The Piatra-Neamt Theatre Festival in Romania: 146 Kilometers from Heart to Heart by Cristina Modreanu
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Will’s Way at the Shakespeare International Festival Craiova 2022 by Alina Epîngeac