Volume 17, Fall, 2022
AVIGNON 76. A Festival of New Works by Philippa Wehle
Almodóvar’s Women on the Verge in Portugal by Duncan Wheeler
BRACK IMPERie. About “Hedda Gabler” by Vinge/Müller at Norske Teatret Oslo by Thomas Oberender
Embodied Intimacy: The Immersive Performance of The Smile Off Your Face at Edinburgh by Julia Storch
Fear, Love, and Despair – Radu Afrim: Director of Core Feelings by Alina Epîngeac
Grec Festival de Barcelona, July 22 by Anton Pujol
I Think of Curatorial Work in Scholarly Terms: An Interview with Ivan Medenica by Ognjen Obradović
Interview with the Turkish theatre critic Handan Salta on TheatreIST by Verity Healey
Report from Berlin, April 2022 by Marvin Carlson
Report from Berlin (and Hamburg….) 5/2022 by Philip Wiles
The Sibiu International Theatre Festival Transforms Dreams into Reality (The Magic of 2022 FITS in Short Superlative) by Ionica Pascanu
Theatre in Denmark and The Faroe Islands – Spring and Fall 2022 by Steve Earnest
The Polish Nation in a Never-Landing Aircraft by Katarzyna Biela
The Piatra-Neamt Theatre Festival in Romania: 146 Kilometers from Heart to Heart by Cristina Modreanu
Will’s Way at the Shakespeare International Festival Craiova 2022 by Alina Epîngeac
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